A conversation between Joseph Harrington and H. L. Hix
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Graça Capinha on Régis Bonvicino's New Utopia
“what to tongues is denied”
a nova utopia [the new utopia]
by Régis Bonvicino (S.Paulo: Quatro Cantos, 2022)
Ezra Pound's name was the first to echo as soon as I started reading this book. Not because of his political options, since the new utopia is at the antipodes of Poundian fascism, but because this is the kind of poetry that the American poet wanted for his modern epic: a poetry that is "hard and dry". And, indeed, later in the book, in a poem about the emerging fascisms of the present day, Pound and his work are the object of reflection by Régis Bonvicino, the Brazilian author of the new utopia. Ironically, instead of the Poundian "make it new", the poem carries the title "Make it old" (101-104).