A conversation between Joseph Harrington and H. L. Hix
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Cityscapes in verse
Brianne Alphonso
Jacket2’s summer intern, Brianne Alphonso, reviews three poetry titles that deal in cityscapes: On a Clear Day by Jasmine Dreame Wagner, Manhattan an Archaeology by Eileen R. Tabios, and Blue by Wesley St. Jo and Remé Grefalda. Of On a Clear Day, she notes in part: “Wagner’s book — a medley of prose, poems, and essays — tells a story of urban noise in an age where ‘visibility, consistency, solvency, become moral imperatives.’ From the tapping of fingers on iPhone screens to the radio waves buzzing in our ears, the very air we breathe is loud.”
Jacket2’s summer intern, Brianne Alphonso, reviews three poetry titles that deal in cityscapes: On a Clear Day by Jasmine Dreame Wagner, Manhattan an Archaeology by Eileen R. Tabios, and Blue by Wesley St. Jo and Remé Grefalda.