A conversation between Joseph Harrington and H. L. Hix
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Artists across another terrain: Non-Kiwi interpretations of Kiwi poetry
Overseas representations of New Zealand poetry
Kia ora ano [Hello again].
As promised in the previous commentary, in these variegated tangents away from the vast soft white underbelly of New Zealand poetry, I here focus on two non–New Zealanders and their valuable and vitally different representations of Kiwi poets and their mahi, or work. One is French, one is American; both have been keenly involved in publishing or producing New Zealand poems for quite some time now. Both are visual artists. Alphabetically, I now approach them — America to France.