Life keeps hurtling forward, bursting forth. It’s spring in California, the jasmine’s come in and the streaky roses. It’s been raining hard all morning; just now it stopped abruptly. Lyn writes in My Life, “she observed that detail minutely, as if it were botanical. As if words could unite an ardent intellect with the external material world.” This is Lyn, vitally observing, drawing it all into relation, the mind and the world, botanical, passionate. Making words hold life, making words as life. “Such that art is inseparable from the search for reality,” she writes.
The Gauss interview
Chris Alexander talks to J. Gordon Faylor
I was planning to ask J. Gordon Faylor why he recently expanded Gauss PDF, historically an online-only press, to also making works avalable in print on demand (POD). When someone asked me at a poetry event (who was it?) what else I had on the docket for this column, and I listed Gauss, Chris Alexander informed me he was in the midst of an email exchange with Faylor about the very same question I had. Who knew?!? So I asked them if I could reproduce their conversation as an interview and, of course, they said yes. So here it is. If you’ve ever wondered what the enigmatic writer/producer/editor J. Gordon Faylor is up to (haven't we all?) here's a nice start at finding out.
CA: Poking around the web, I see Gauss PDF described as “a website which publishes ‘digitally based works’ in pdf format (2010),” “an experiment in multimedia publication, having hosted everything from digital video and zip files to YouTube playlists and image collections” (2011), and a “poetry/non-poetry resource” (2012). When I look at the catalog, I see that your first two publications are PDFs, but already the third publication is an MP3 — followed by a ZIP file, and then a flurry of different formats: M4V, MOV, JPG, embeds from your Vimeo channel, and so forth. What was your vision for Gauss PDF when you started out in 2010?