Life keeps hurtling forward, bursting forth. It’s spring in California, the jasmine’s come in and the streaky roses. It’s been raining hard all morning; just now it stopped abruptly. Lyn writes in My Life, “she observed that detail minutely, as if it were botanical. As if words could unite an ardent intellect with the external material world.” This is Lyn, vitally observing, drawing it all into relation, the mind and the world, botanical, passionate. Making words hold life, making words as life. “Such that art is inseparable from the search for reality,” she writes.
Coda
Listening and self-care in Shazia Hafiz Ramji's 'Port of Being' (2018)
In A Voice and Nothing More (2006), Mladen Dolar describes listening as a submissive act: “Listening entails obeying; there is a strong etymological link between the two in many languages.” Dolar continues further, fortifying this etymological link and states that “the moment one listens one has already started to obey, in an embryonic way one always listens to one’s master’s voice, no matter how much one opposes it afterward.” Dolar’s comments may benefit from distinguishing between two modes of sonic stimulation to characterize hearing (as passive, as what he describes in this passage) and listening (as active, as an intent to bring the world's sounds inside). That being said, Dolar has framed the act of listening here as a loss of agency since, as he suggests, we often cannot select what it is that we hear or overhear.
In A Voice and Nothing More (2006), Mladen Dolar describes listening as a submissive act: “Listening entails obeying; there is a strong etymological link between the two in many languages.”[1] Dolar continues further, fortifying this etymological link, and states that “the moment one listens one has already started to obey, in an embryonic way one always listens to one’s master’s voice, no matter how much one opposes it afterward.”[2] Dolar’s comments may benefit from distinguishing between two modes of sonic sti